Showing posts with label Angry Robot. Show all posts
Showing posts with label Angry Robot. Show all posts
Review: United States of Japan by Peter Tieryas
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A spiritual sequel to The Man In The High Castle, focusing on the New Japanese Empire, from an acclaimed author and essayist.

The Axis won WWII and now, in the late 1980s, the Japanese Empire rules over the western US states, their power assured by technological superiority (giant mecha, etc.) But when a video game emerges that posits a worldwhere the allies won, a game censor and an Imperial Government agent discover truths about the empire that make them question their loyalty.
This book has been on my reading list for most of the year. For some reason it always slipped my mind, until I ordered a print copy. But when I started it just this week, I ended up devouring and loving it.

The Story:
"A spiritual sequel to The Man In The High Castle, focusing on the New Japanese Empire, from an acclaimed author and essayist.

The Axis won WWII and now, in the late 1980s, the Japanese Empire rules over the western US states, their power assured by technological superiority (giant mecha, etc.) But when a video game emerges that posits a worldwhere the allies won, a game censor and an Imperial Government agent discover truths about the empire that make them question their loyalty."

The Review:
Earlier this year I decided to read The Man in the High Castle. The idea of what might have been had Nazi Germany and the Axis won World War II back then is an interesting one to me. Not only because I am german myself and see what effects, positive and negative alike, the outcome and ensuring stigma had and has to this day, but also because it would have been a domino effect for a lot of things in the world to take different routes. The United States of America would likely not nearly be as dominant in the world as right now, various wars would not have happened, or in a very different way, and ideological directions might have been shifted away from self-devouring capitalism into authoritarian kinds of socialism instead.
A lot of things would have been worse off, while some others might have seen more rapid developments, especially on the technological front.

United States of Japan tackles those points excellently. It builds upon The Man in the High Castle, runs further down that road, and provides a shocking thriller in a world dominated by fear, oppression and violence. Set around 40 years after the conclusion of the second World War and victory by the Axis, propaganda is rampant, and any hint of doubt in the japanese emperor's divinity or the regime may see you lynched and executed. Mechas are patrolling the streets of the United States, now belonging mostly to Japan, and every form of media is heavily censored and may even include bait for potential dissidents to swallow and get tracked through. It is a horrible world where wrongthink is punished excessively, and a simple accusation, no matter how false, can see your head on a spike.

Many of the rapid technological advances, such as the far earlier widespread adoption of mobile phone technology through "Porticals" and the Internet via the "kikkai", and virtual reality gaming don't serve to increase liberty but get perverted into methods of persecution and brainwashing. Even today, in our otherwise more enlightened age, voices are still popping up here and there claiming that video games, for example, make Gamers violent or sexist, but in the USJ, gaming is actually used as a way to shape public opinion on a grand scale, and indoctrinate children, teenagers and even adults.
Non-asians are regarded as lower class citizens and heavily scrutinized. While on the surface, everyone who worships the emperor is considered equal, erasing a lot real of sexism and bigotry from the USJ, the truth is quite different, and a single suspected traitor in the family can doom everyone related.
The many ways in which United States of Japan describes and visualizes actual fascism go beyond the wildest imaginations of easily-offended people on social media - and its success here is utterly terrifying.

Enter Beniko Ishimura, son of a mixed couple from the old United States of America. He was born not long after his parents were freed from the concentration camps for asians the Americans raised during WW2, yet seemingly gave his family up as traitors during his childhood. He is regarded well enough by his peers, but has a reputation for laziness and is locked in his position as a Censor of video games. When he is contacted by an old superior through highly questionable means, his hope of finally getting promoted is dashed and he is paid visit by agent Akiko Tsukino of the secret police.
Turns out said superior, general Mutsuraga, is accused of being a traitor and his contact with Ishimura tainted the latter's reputation. Beniko's life becomes a lot more complicated from here on out, as he sides with agent Tsukino in trying to expose Mutsuraga, who seemingly allied with the american rebels, the "George Washingtons", and even created a propaganda video game for them, depicting an alternate version history could have taken, had the Axis lost the war - our reality. With unsettled business between him and Mutsuraga, Ishimura is prepared to go the whole way and set things right.

I loved Ishimura's character. He is outwardly lazy, yet highly competent and intelligent. There are a lot of surprises spread out through the book, and while he may seem sleazy at first, my opinion of him rose further and further as his past experiences and reflection unravel the half-truths and outright lies of the regime. What may have been a highly entertaining revenge story instead turned into a complex, layered, innovative venture for justice. It is a novel of buried grief and false pretenses, of fear and underhanded resistance. The further you get, the more of an understanding you get of the deeper scars of all the major characters and their entanglements.

Agent Tsukino, too, was compelling and maybe showed the most growth in the cast. She goes from being a stern, impulsively dangerous woman in service of her emperor to becoming more self-aware, more righteous than self-righteous and, overall, more honest with herself. Her change from utter hardliner to developing a more open mind due to all she has to go through, from political persecution, scapegoating and violent torture, was a major draw of this book.
And yes, there is torture, and excessive violence. If you cannot stomach that, you'd best not touch the book. Everybody here suffers on some level, some psychologically, others in very real, very tangible and very shocking ways. Tieryas didn't pull any punches, and the first major torture scene hit me like a brick. I almost couldn't believe that he'd go through with it on this level, thinking it was an act, something he could write himself out of.
He didn't. As disturbing as the results were, they were impressively handled and, for all their cruelty, made the setting and characters feel much more alive.

The way the George Washingtons fully adopted a perverted version of christianity was stunning as well. Their utter belief in their god, with additions to and vile interpretations of biblical texts were bordering on mania. Their hot-blooded religious zeal contrasted well with the cold-blooded belief of the secret services acting in their god-emperor's name. It also showed that neither side's extremism is a good answer, and that all things can be turned to evil if only the justifications are strong enough in the perpetrator's mind.

Everyone here is haunted by elements of their past, whether it be Ishimura, Tsukino, Mutsuraga or the George Washingtons. Nobody is clean here, and everybody is trying to do something they believe is right. For team Ishimura & Tsukino, it is a long, hard road of cooperation despite mutual misgivings about one another, and one that shapes the novel just as much as the ghosts of the past and buried war crimes. If there's anything to take away from the book, it is that fanaticism and extremism don't solve anything and only cause further destruction and grief.

Straight-up references to The Man in the High Castle are relatively sparse. I spotted a few easter eggs here and there, but mostly the familiarity is down to the setting. United States of Japan is a spiritual successor to Philip K. Dick's work, bringing up similar ideas and themes, yet also mixing it up and adding a lot of substance and action. As much as I enjoyed Dick's novel, I couldn't help but feel a little disappointed at its conclusion, and I can certainly see it being too slow for a lot of readers. With USJ, it is almost the polar opposite: The book's pace is incredibly quick, spanning only a few days as far as the present-day plotline is concerned. There is more than enough action to keep blockbuster fans engaged. Plenty of intrigue and specks of new information keep you thinking and connecting dots, before everything becomes utterly clear in the end and blows up big time.

If nothing else, you'll get a kick-ass dystopian action thriller with all bells and whistles. But there is much more to United States of Japan; enough to make it one of my favorite and quickest reads of what 2016 had to offer. Give it a whirl and be amazed at what Peter Tieryas constructed here. It won't be pretty, but is highly compelling!

United States of Japan on Goodreads
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Review: Twilight of the Dragons by Andy Remic
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During a recent dwarf civil-war deep under the Karamakkos Mountains, the magick-enslaved dragonlords have broken free from centuries of imprisonment and slaughtered tens of thousands throughout the Five Havens before exploding from the mountain and heading in fire and vengeance for the lands of Vagandrak. Two once-noble war heroes of Vagandrak - Dakeroth and his wife Jonti Tal, an archer and scholar, the Axeman, the White Witch and a Kaalesh combat expert find themselves in a unique position: for they have discovered the ancient dragon city of Wyrmblood, and a thousand unhatched dragon eggs. Dakeroth and his companions must work with their enemies, Skalg and the Church of Hate, in order to bring down the dragonlords and save the world of men and dwarves. But there is no bartering with these ancient dragons; for they seek to hatch their eggs and rebuild the cruel Wyrmblood Empire of legend.
Oh boy, remember the ultra-vulgar, bloody entertaining, almost pornographic novel The Dragon Engine by Andy Remic? Its sequel was recently released and ended up on my desk. I read it, and I hugely enjoyed it despite its flaws. Here's why.

The Story:
"During a recent dwarf civil-war deep under the Karamakkos Mountains, the magick-enslaved dragonlords have broken free from centuries of imprisonment and slaughtered tens of thousands throughout the Five Havens before exploding from the mountain and heading in fire and vengeance for the lands of Vagandrak. Two once-noble war heroes of Vagandrak - Dakeroth and his wife Jonti Tal, an archer and scholar, the Axeman, the White Witch and a Kaalesh combat expert find themselves in a unique position: for they have discovered the ancient dragon city of Wyrmblood, and a thousand unhatched dragon eggs. Dakeroth and his companions must work with their enemies, Skalg and the Church of Hate, in order to bring down the dragonlords and save the world of men and dwarves. But there is no bartering with these ancient dragons; for they seek to hatch their eggs and rebuild the cruel Wyrmblood Empire of legend."

The Review:
Twilight of the Dragons is an oddly entertaining book. It is still vulgar, "offensive" and unrecommendable to younger readers, but also in many ways different from The Dragon Engine. Not in a bad way, however.

Where with The Dragon Engine I was utterly unprepared for the vulgarity, sex jokes, assault, torture and what have you, having me wince at the ideas presented by Andy Remic (reading about "ball crushers" was pretty grim!), I was definitely prepared for more of the like in Twilight. To my surprise, those aspects were tackled to a lesser degree here. Instead the book focused more on the characters' resignation, fears, trauma and the rampage of the dragons in Vagandrak.

Surprisingly, this novel also throws a crossover with Remic's Iron Wolves novels at us: The heroes from The Iron Wolves and The White Towers appear here, stealing a lot of the spotlight. This, of course, includes spoilers for their own novels, seeing that this is a sequel, chronologically.
I honestly wish I had read those novels before I did Twilight, but after the fact I cannot say that, while I was initially not so keen on it, I disliked their inclusion. In fact, I liked all of the crossover-characters a good bit. They were easily relatable, had a decent amount of comedic relief (one part of which even crops back up in the epilogue and had me laughing out loud!), and gave a much-needed perspective of the dragon rampage outside the mountains that the heroes are stuck in for pretty much the entire novel.

Disappointingly, the heroes, that is, Beetrax, Lilith, Sakora, Dake, Talon and the boy Jael, are stuck underground until the very end, and as a result don't even encounter Volak and her sisters for most of it. I had expected them to be the driving force when it comes to subjugating the dragons again, but instead the futility of that task was tackled via the Iron Wolves chapters. For the original heroes from The Dragon Engine, oddly little happens in terms of external threats, comparatively. There is one battle against a dragon-splice which I liked a lot, and some dwarf-killing, but until the climax chapters (and I don't mean those involving past romance scenes between Beetrax and Lilith with that!) they're fighting themselves and their own insecurities more than anything else.

Which, as a theme, I liked. None of them were left unaffected by the preceding events, the torture, the lack of sunlight, and most notably the death of Jonti Tal, Dake's wife. They're traumatized, growing in apathy and start turning on one another. Of course, equiem magic plays a role in it as well, raising the stakes to a higher point. The point stands, however: Their quest to find and destroy the dragon eggs of Volak isn't easy, and that is more down to their own sensibilities and fraying nerves than to outside forces.

In a way, this made the inclusion of the Iron Wolves inevitable. The action against Volak was necessary to the book, both to get the tension up and to balance the depressing nature of the other parts of the book. Remic nailed the conflict on the surface very well, too; Narnok, Dek, Trista and co were all amusing to read about, and their struggles to somehow manage to harm and/or kill Volak were offering up cool setpieces. Narnok especially had me chuckling over how absurd it was for him to constantly taunt the mighty dragon queen.

“I’m Narnok. Don’t forget it. It’s a name I’m going to carve on your arse.”

It was a massively entertaining romp of thrilling action, with ever-growing desperation and things just got better and better. I was incredibly sad when, inevitably, heads began to roll (or ashes got blown into the wind, eh?). Andy managed to make me care about characters that came out of the blue and stole the fireworks show, giving them a personal background that I enjoyed and made me curious about the rest of their story. Yes, I was definitely disappointed that it wasn't down to Beetrax and co, but what I got instead was no less entertaining than what I expected.

The dragon rampage itself is worth noting too. The prologue kicks it off, set right after the end of The Dragon Engine. Volak, Kranesh and Moraxx are free to do as they please: which just so happens to be slaughtering humans. If you're not a fan of seeing children die, then you might want to back out of this one, because the story starts right with that; it gets us to care about a little girl who finally made a friend and has fun playing around, just to be eaten alive. That had me gulp - I didn't expect that kind of thing within the first 5 pages! But damn if it didn't set the scene for just how terrible a renewed Blood Dragon Empire would be!

Multiple similar scenes of disaster are featured throughout the book, up until the dragons get their dues through no other than Skalg. Where in The Dragon Engine I had nothing but disdain for the fucker, here I actually cared for him as an individual. The author managed to humanize him a great deal, giving him a layered personality and personal dilemma. He is made relatable in his role, and showcases how mountains of frustration and pain can come tumbling down and break our own backs.
In a way, Skalg is the real hero of the book, which surprised me. He is still a megalomaniac and doesn't get off lightly, but he definitely pulls more than his own weight to resolve the looming doom. Remic definitely addressed Skalg's situation in a satisfying way.

If you're a fan of the sexual themes from The Dragon Engine, the book has you covered too. Not only does it have some orgies going on involving Vagandrak royalty, involving an arrogant princess trying to rape her soldier-become-servant, but it also has some more romantic flashbacks for Beetrax and Lilith.
I honestly cannot believe how well-done the romance in the latter actually was. It was actually nice, and sweet, and made me care even more about the couple. It wasn't blunt and on the nose, and instead reinforced their relationship as a whole.
More than anything, those scenes were relatable, authentic and respectful. They hammered home just how much of these two books was actually about Trax and Lil and their reunion. Those heartwarming scenes raised the stakes for the depressing underground excursion tenfold, and had me raging as the climax came about.

My regrets about the novel, after all is said and done, boil down to the original heroes taking a bit too much of a step back. While I liked the themes and execution, I figured they'd be more prominent here. It wasn't a dealbreaker by any means, but I was wishing for them to be more involved.
On top of that, there are various plot nuggets that weren't resolved, and deliberately left open. The epilogue makes it pretty clear that there is room for sequels yet, tying all the way back to the Iron Wolves books (and I'll damn well read those before I get into the next one), but there's more to be said about the Dragonheads, King Yoon, the remaining Splice in Vagandrak and a bunch of side characters who I figured would contribute a bit more yet.

Be that as it may, I think I enjoyed Twilight of the Dragons even more than I did The Dragon Engine. It flowed well, I cared for the whole, larger cast and the dragons were magnificent to behold. The action was great, the personal drama high, and I'd like to read more about all involved.
If you've read The Dragon Engine, you owe it to yourself to read this one as well.

Twilight of the Dragons on Goodreads
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Review: The Dragon Engine by Andy Remic
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Five noble war heroes of Vagandrak get drunk one night and sign a contract – to journey to the Karamakkos in search of the Five Havens where, it is written, there is untold, abandoned wealth and, more importantly, the three Dragon Heads – jewels claimed to give unspeakable power and everlasting life to those who wield them.

But the Dragon Heads aren’t what they think, and the world has not encountered their like in generations!
This one is a highly divisive novel, which I didn't realize going in. Not for the faint-hearted or prude, that's for sure. However, I quite enjoyed it.

The Story:
"Five noble war heroes of Vagandrak get drunk one night and sign a contract – to journey to the Karamakkos in search of the Five Havens where, it is written, there is untold, abandoned wealth and, more importantly, the three Dragon Heads – jewels claimed to give unspeakable power and everlasting life to those who wield them.

But the Dragon Heads aren’t what they think, and the world has not encountered their like in generations!"


The Review:
The Dragon Engine is a controversial novel - and for good reason. It is full of adult humor (or juvenile humor, depending on who you're asking), and explicit, sexual content (both in the positive and negative sense).
So if you are uncomfortable with that, do not even think of picking this book up, or you'll regret the money spent. If you're unsure, get the sample, which should include the start of the chapter "Skalg", which tackles the reader with some very explicit scenes right off the bat.

If you can get over those explicit contents, you'll find a novel that very much resembles a Dungeons & Dragons campaign. The protagonists are a diverse bunch, three men, three women, including a bisexual archer, a supposedly-pacifist witch/healer who is also vegetarian, a ginger, one-eyed, stubborn axeman and so on. It really covers a bunch of the tropes and character classes you'd find in most pen & paper roleplaying games, with the added bonus of all of these six characters being veterans of a previous war (which seems to be covered in Remic's other books). As a result you have them wax nostalgically about the good old days and past glories, and decide to go on one last adventure together.

This adventure sees them going on a treasure hunt, searching for the lost dwarven cities under the mountain Karamakkos. Things don't go as planned (at all), even from the outset, and the group of heroes just tumbles from one problem to the next.
I actually found that really entertaining, as it resulted in a lot of comedic problem solving - until about halfway through the book, when they actually enter the dwarven realm and things take a massive turn for the worst.

Spoiler, highlight to read!
The group gets captured and put to slave labor in the mines of the thought-extinct race. But since they weren't compliant enough, they go through a very long chapter of torture, which sent each and every one of them through hell. This involves mutilation, threat of castration and ball-crushing, psycho-terror, rape and more.
It really wasn't pretty and, again, if you're faint-hearted, move on.

However, it did provide some very neat insights into the characters. For the most part the book focuses on Beetrax the axeman, and his past love with Lillith. We get the biggest chunks of background on them, whereas the others are less obvious in their background details. During their rough time in the Five Havens, all of them are confronted with their own fears and insecurities, and became more interesting to me. But then, I also hated those scenes for making me worry so much, and being utterly relentless. They were some of the moments where I genuinely wanted the antagonists to die in hell.

The antagonists themselves are well-established and actually evil, especially Cardinal Skalg of the Church of Hate, who is a despicable prick of the highest degree. There isn't really much I want to say about his role here, as it has a bunch of twists I don't want to spoil. But you will hate him. There is nothing redeemable about him, and there doesn't need to be. But then, few, if any, of the dwarves can be said good things about. They're an isolated race of awful people, selfish, brutal, hateful. Just the kind of mess you wouldn't want to run into.

And then we have the Dragon Engine itself, a machine utilizing enslaved metal dragons to power the dwarven cities. There isn't as much about this in the book as I was expecting, but when it hits, it is with a sledgehammer and turns the book upside down, with a gigantic cliffhanger for Twilight of the Dragons. I'm very excited to dig into that sequel, with how this story (hasn't) wrapped up here.

The Dragon Engine really is a mixed bag that will divide readers (and already has). There is sexually explicit content here in bucket loads, some relatively tasteful, other parts excessively detailed to the point where I was cringing, thinking that a curtain call would have fitted the scene better. Little is left ambiguous, and characters are foul-mouthed (especially Beetrax and the antagonists) throughout the whole book. But then, there are genuinely well-written human relationships here too, with the group of six splitting into three couples of different stages. There is plenty of humor here to balance the grim, though it takes second fiddle once things get darker in the mines. While some may react with eyerolls at Beetrax in particular, I thought him to be a well-presented character with more depth than immediately obvious, and often quite funny.

More than anything though, this book has made me want to play DnD. Getting a group together and just start a silly adventure with characters who poke fun at one another all the time, but also stick up for one another when it counts. If you told me this was originally based off of one long campaign Remic had with friends, I could well believe it, and it maintains the lighthearted tone of such sessions, despite the grim parts.

As such, I quite enjoyed my time with The Dragon Engine, though I cannot make a clear-cut recommendation for it. It really comes down to your own sensibilities and tastes, and state of mind. You might praise it for its unashamed style, or hate it for its crudeness. I can only recommend trying the sample to see if you can stomach it.

The Dragon Engine on Goodreads
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DarkChaplain's bookshelf: read

The Dragon Engine
Tomb Raider II #7
Star Wars #22
Star Wars: The Force Awakens Adaptation #3
Deathwatch: The Last Guardian
The Harrowing
Whacky
The Awakening
Blackshield
Poe Dameron #5


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